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Theses/Dissertations from 2017

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Devil in a White Dress: Marie-Antoinette and the Fashioning of a Scandal, Sarah Lorraine Goodman

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Crafting Autonomy: A Reevaluation of the Pedestal in the Sculpture of Arlene Shechet, Nicole Cherubini, and Francesca DiMattio, Sara Morris Morris

Theses/Dissertations from 2016

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Juana Alicia: a Case Study of the Artist as Critical Muralist, Allison Ann Connor

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The Shojo Within the Work of Aida Makoto: Japanese Identity Since the 1980s, Laurel Rose Hartman

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Mémoires: The Revolutionary Map of the Twentieth Century, Megan Merritt

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Uncovering “New Man” Feminism: Arthur F. Mathews at the San Francisco School of Design, 1890-1896, Mary Okin

Theses/Dissertations from 2015

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Marking the Condottiere's Dynasty: The Saletta Delle Dame of the Martinengo-Padernello, Sarah Elizabeth Dragovich

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Walt Kuhn: From Spotlight to Studio, the Art of Show Business, Emily May McEwan-Upright

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Symbols and Agents of Papal Ascendancy: the Palazzo Farnese and Cardinals’ Palaces in Renaissance Rome Reconsidered, Heather Kathleen Peterson

Theses/Dissertations from 2014

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Networking and Craft in Three Generations of Mail Art, Laura Dunkin-Hubby

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The Legacy of Antonio Sant'Elia: An Analysis of Sant'Elia's Posthumous Role in the Development of Italian Futurism during the Fascist Era, Ashley Gardini

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Lynn Hershman Leeson's Roberta Breitmore and the Art of Becoming a Woman, Maayan Glaser-Koren

Theses/Dissertations from 2013

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The American Girl: Delineating an Age Through the Ladies' Home Journal, Cheyanne Michelle Cortez

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Redefining Artemisia's Magdalene, Allyson Marie Dwyer

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A Sign Of The Times: Contemporary American Post-Holocaust Imagery And Post-Jewish Identity, Stacy Rebecca Schwartz

Theses/Dissertations from 2012

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Commentary on Canvas, The Five Paintings of The Execution of Maximilian by Edouard Manet, Orna H. Makleff

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Mexican Photography Collected: Graciela Iturbide and Tina Modotti, Camille F. Porter

Theses/Dissertations from 2011

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Visual Articulation of Modernism: Self-portraiture in Colonial Korea, 1915-1932, Julie Chun

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The Production and Planning Process of the Book of Kells, Roxanne V. Jones

Theses/Dissertations from 2010

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The Art of Camille Rose Garcia: An Existential Fairy Tale, Jennifer De La Cruz

Theses/Dissertations from 2009

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Art History in California K-12 Schools : Then, Now and What it Can Be, Gary T. Martin

Theses/Dissertations from 2008

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Art in the twenty-first century Thomas Kinkade and the case for kitsch., Ami Davis

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Mucha's Art Nouveau influence on women depicted in Chinese posters, 1920--1930s., Maiko Kawase

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Scultura invetriata: Updating the story of Luca Della Robbia's invention., Marianne Denise Knight

Theses/Dissertations from 2007

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A thirteenth century Sienese manuscript illumination, Elaine French

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The folk and Old Slavic motifs in the 17th century Folk Bible of Vasiliĭ Korenʹ, Sofia Matrosova Khalil

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Reconsidering the virgin reader: Mary as scholar in Italian Annunciations., Marianne Kennedy McGrath

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Donning the cloak : Safavid figural silks and the display of identity, Nazanin Hedayat Shenasa

Theses/Dissertations from 2006

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Ancient origins and survival of the griffin motif into the common era, Kathleen E. Follis

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Eighteenth-century French furniture and aristocratic gender performance, Bonnie Susan Lee Kuo

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Qajar painting in the second half of the nineteenth century and realism, Mahshid Modares

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The wetlands project, Renee Ruth Saulnier

Theses/Dissertations from 2005

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The Romanesque domed churches of Aquitaine : a study of practicality, Todd Alan Bevis

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The goddess Asherah in ancient Israel and her pillar figurines, Yael Karmi

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Experience Music Project : formalizing the vernacular, Ann Russell Myhre

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Reconsidering Ōbaku Zen and the foundation of the ink paintings of Itō Jakuchū, Mie Onnagawa

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Violet Oakley, mural painter : rethinking women artists and masculine genres, Regina Megan Palm

Theses/Dissertations from 2004

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Challenges and successes in a hostile environment : Julia Morgan, architect, Sharon D. Kasser

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Examining the possibility of a postmodern avant-garde, Jenna Kaufmann-Madison

Theses/Dissertations from 2003

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Reconsidering the ornamental mosaics of the Mausoleum of Galla Placidia, Regina Maria Ursula Kammer

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Alexander the Great: an analysis of the Burgundian and the Timurid manuscripts, Durriya Tyabji

Theses/Dissertations from 2001

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The Hours of Jean d'Evreux : an analysis of size, Kathleen Clare Lang

Theses/Dissertations from 2000

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Thierry of Chartres and the west façade sculpture of Chartres Cathedral, Brian John Knitter

Theses/Dissertations from 1999

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A history of criticism pertaining to John Singer Sargent, Jennifer Lynn Friedman

Theses/Dissertations from 1998

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Color and sound interrelated, Louise A. Beattie

Theses/Dissertations from 1997

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Rembrandt's pictures and his life : the Leiden years, Nancy M. Samelson

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Pastoral Pleasures : the picnic in American art before 1870, Norma A. Schlossman

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Cultural War : the defeat of the Helms amendment, Joan K. Selna

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Representing the unthinkable : images of loss in the mid-century work of Jean Fautrier, Mara Holt Skov

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Exemplary virture : an examination of Annunciation imagery in Renaissance Florence, Sharon Clarice Smith

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A profile of Tomoe Tana, Gary D. Snider

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The cult of St. Foy at Conques, Rosemary Van Lare

Theses/Dissertations from 1996

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Portrait painting in the time of Philip the Good, Duke of Burgundy : 1419-1467, Kathleen Louise Kenyon

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The history of the artworks in the Ford Ord Soldiers' Club, California, Jeanne Truesdale Myers

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The figure : David Park and the postwar taboo, Elizabeth Towers-Ciriello

Theses/Dissertations from 1995

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The Indian maiden visits San Jose: Rediscovering Edmonia Lewis, Marla Novo

Theses/Dissertations from 1994

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A measure of progress : native Americans in paintings and sculptures in the United States galleries of the Fine Arts Palace at the 1893 World's Columbian Exposition, Marilyn Fogel

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Tombstones in St. Vitus cathedral in Prague, Milena Critz Malíková

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May 1963 to August 1968 reflections on an installation, Susanne Tobin

Theses/Dissertations from 1993

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Vasilii Vereshchagin (1842-1904) : Orientalism and colonialisn in the work of a 19th century Russian artist, Louise Jacqueline Shalev