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Theses/Dissertations from 2022

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Buried Treasure in San Francisco’s Golden Gate Park: Changing Tastes in the Twentieth Century as Seen Through the Music of the Golden Gate Park Concert Band, Nathaniel L. Pergamit

Theses/Dissertations from 2019

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Creating a Cultural Context for Dong and Miao Folk Music Using an Orff-Inspired Methodology, Ke Guo

Theses/Dissertations from 2018

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Change and Transformation: The Harp as a Symbol of Liminality in Tchaikovsky’s The Nutcracker (1892), Jeanna Kim

Theses/Dissertations from 2015

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Reviving Mesopotamia: Genocide and the Preservation of Cultural Heritage in the Nationalist Music of William Daniel (1903-1988), Rashel Pakbaz

Theses/Dissertations from 2014

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The Madman: For Mezzo-Soprano and Pierrot Ensemble, Harlan Matthew Otter

Theses/Dissertations from 2012

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A Candle in the Dark - Concerto for Clarinet and Wind Ensemble, Jason Gary McChristian

Theses/Dissertations from 2010

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Ask Her To Dance, John Casados

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An Analysis of Stacy Garrop's Sonnet Settings for Treble Choir and Piano, Kathryn Alexis Feetham

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An Analysis of Three Choral Transcriptions for Winds by Eric Whitacre, Daniel James Grassi

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Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology, Jeffrey Hanson

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Undergraduate Music Student Stress and Burnout, Helen Jane Orzel

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String Quartet No. 1, Jeffrey Scott Perry

Theses/Dissertations from 2009

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Concerto for the Young Adventurer., Mark Forrest DeSimone

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Music in the lives of two children with autism : a case study, Elizabeth Ron Fang

Theses/Dissertations from 2007

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Math+Music Program : teacher perception of its effect on student growth, Mary Meeks Nguyen

Theses/Dissertations from 2006

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Music technology in education, David Trustman

Theses/Dissertations from 2005

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The music of San Francisco and Berkeley at the time of the 1906 earthquake, Ruth Evelyn Miller

Theses/Dissertations from 2004

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Gospel piano improvisation : from ragtime roots to contemporary church piano, Janice Mae Armstrong Carlton

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Train of thought, Annick Danielle Crawford

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Ziem, Hung-ting Tsoi

Theses/Dissertations from 2003

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The sacred harp in a choral setting, Teresa P. Baker

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Teaching songs of Ghana to grades 3 through 5 in California elementary schools, Christine Burke

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Textual integrity and foreground deceptions : Chopin's Prelude in A-Flat, 28/17, Paul Martin Ellison

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"Whom the gods would destroy" : portraits of mental illness, Denis Ragan Floyd

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Making music at Mills College : summer sessions, 1929-1957, Ann Marie Newman

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Toward a more comprehensive textbook on choral jazz arranging, James Edward Hamilton Regin

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Intergrating [sic] Thai songs into American elementary school music education, Moncharee Sanmaneechai

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Teaching the preludes of the well-tempered clavier, Kerstin Barger Stone

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Vocal rehabilitation, Robin McKee Williams

Theses/Dissertations from 2002

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Twelve voices, Mickey Helms

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Still life with diary : for orchestra, David Larstein

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A Historical analysis of three works for trebles by Benjamin Britten, Kristin Ann Pfeifer

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Musical and nonmusical influences in selected vocal works by Alexander Zemlinsky, Barbara Detrick Swedlow

Theses/Dissertations from 2000

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Pedagogies for scat singing, Diane Pauline Bock

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The sheer need to sing : the healing effect of jazz in Sheila Jordon's life, Vicki-Lyn Burns

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Choral settings of Psalm 150 of the twentieth century : an annotated list, John Koza

Theses/Dissertations from 1999

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Del Tridici's Vintage Alice : an analysis, Laura Christine Amos

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Music perception and cognition as a basis for an ear-training approach, Zila Shwartz Medini

Theses/Dissertations from 1998

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Exposures, Barbara M. Christmann

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Beethoven : a pioneer in the use of the piano pedals, Inna Gendler

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Chain for piano, Long Dang Ho

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Ewe children's music from Ghana, West Africa, in the classroom, Idit Kubitsky

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Chopin's twenty-four preludes, opus 28 : historical background and performance considerations, Yi-Sy-Tieh Kuo

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Czerny, Leschetizky, Vengerova : a genealogical study of piano pedagogy technique, Darrell G. Leffler

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Gustav Mahler's second symphony : a choral conductor's investigation of "Aufersteh'n", Natsia Sexton

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We're all mad here, Ryan H. Torchia

Theses/Dissertations from 1997

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Reconditioning, Frank F. Gelat

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A historical study of Beethoven's Choral fantasia opus 80, John C. Sutton

Theses/Dissertations from 1996

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Single string scale technique and the classic Guitar, Kenneth J. Andrade

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Mozart's Flute concerto K. 313, Pi-Ling Chang

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Madi Bacon : thoughts on conducting, a video documentary, Debra K. Golata

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Sininen Hetki for chamber ensemble, Mark Grey

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Randall Thompson's Frostiana : a choral conductor's handbook, Susan M. McArthur

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Recuerdos de la Alhambra [electronic resource] : thesis project, Heidi Virginie Mitchem

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A history of opera in San Jose, California, Glenda Pearl Moore

Theses/Dissertations from 1995

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A comparison of nine selected modern editions of the Schubert Mass in G, Lawrence E. Albright

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Intuition and fretboard intimacy : approaching improvisation on the guitar, Don A. Balistreri

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Beethoven's five 'cello sonatas, Judith Lee Crawford

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Music for electric guitar and string quartet in three movements, G. Rusty Davidson

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The art of North Indian tabla drumming : adaptations to the African-American drumset tradition, Gregory Michael Diethrich

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A comparative study of five piano works by Bach, Beethoven, and Liszt, Isidore B. Gluckman

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Music in the Maranatha Pentecostal Church : observations of choir rehearsals and worship services, Laura Ley Va

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Three movements for violin and sampled sounds, Jason Marsh

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Eclectricity : amplified string quartet, James M. Sealy

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A comparative study between selected sacred double-choir motets of Hans Leo Hassler and Giovanni Gabrieli, Mark David Swope

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Ravel's: Le Tombeau de Couperin, Yali Lydia Tai

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An oral history of electro-acoustic music of the Czech and Slovak republics, Libor Zajicek

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The Siguiriyas song form in flamenco guitar : a historical and comparative study, Benett Thomas Zussman

Theses/Dissertations from 1994

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The collateral relationship between sound effects and music in selected media, Patricia Lynn Eastman

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A historical study of Joseph Haydn's Missa brevis Sancti Joannis de Deo HOB. XXII:7, Jill Ann Jones

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Sinfonia für Mey-Ling, Van A. Krueger

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Four-mallet salsa : exercises and etudes for the vibraphone, Robert H. Lautz

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Achieving choral blend through vowel uniformity, Granville Murl, Jr Oldham

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Butterfly's ball, Thomas William Povse

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Five old verses, Jacqueline R. (Jacqueline Rachel) Sackman

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Mozart's Missa Brevis, in D major, K. 194 : meaning revealed through historical, biographical and analytic perspectives, Elisabeth B. Southorn

Theses/Dissertations from 1993

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Preludes, David (David E.) Clay

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Six compositions utilizing extended harmonies and improvisational techniques, Stephen Foglia

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Typers, Barbara Lopez

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The International Computer Music Association 1992 compact disc and HyperCard stack, Edward Russell Tincher

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Amy Beach : her life, times and music, Laurel Keddie Verissimo

Theses/Dissertations from 1992

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Modern guitar music, Leon M. Brown

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Pedal technique in La Cathedrale engloutie by Claude Debussy, Ya-Hsuan Chiang

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Choral music accompanied by woodwinds: an annotated list, Jan C. DeShera

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Cadence to a G sharp, Mark A. Gaetano

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We are Blessed : a new Christmas cantata, Holly M. Lasky

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Isotropea, Michael Strunk

Theses/Dissertations from 1991

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MIDI control Language (MCL) : reference manual, Marshall Earl Edwards

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Choral anthems in english: a representative survey for the church musician, Mary Anne James

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An historical and analytical study of Beethoven's fortepiano sonata in A Major, Opus 101 : a performance practice perspective, Marta Schermerhorn

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Sonata for guitar, Kenneth R. Schroeder

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ALIAS 610, James David Stewart

Theses/Dissertations from 1990

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An analysis of the solos in George Frideric Handel's Chandos Anthems for the purpose of revoicing, Brenda Joyce Davidson

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The influence of Josephinism upon the omission of text in Schubert's Mass in G, Louis Michael De La Rosa

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A comparative analysis of styles and performance practices for three jazz bassists in the composition "Stella By Starlight", Timothy Andrew Hauff

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Ornamentation in Vivaldi's Gloria in D, Robert Hoffman

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Collected pieces, Jeremy Leber

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A blues-based improvisation method for beginning instrumentalists, Peter A. Spitzer

Theses/Dissertations from 1989

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Die Sieben Worte by Heinrich Schuetz : analysis and performance suggestions, Michael L. Busch

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Elements of interpretation in the renaissance and baroque melodic line, Robin A. HasBrouck