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Submissions from 2023

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Genomic analyses of hair from Ludwig van Beethoven, Tristan James Alexander Begg; Axel Schmidt; Arthur Kocher; Maarten H.D. Larmuseau; Göran Runfeldt; Paul Andrew Maier; John D. Wilson; Rodrigo Barquera; Carlo Maj; András Szolek; Michael Sager; Stephen Clayton; Alexander Peltzer; Ruoyun Hui; Julia Ronge; Ella Reiter; Cäcilia Freund; William Rhea Meredith; and For full author list, see comments below

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Compassion and Care Through Musical Social Emotional Learning, Scott N. Edgar, Kara Ireland D'Ambrosio, and Elise Hackl

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Alcohol and the death of Ludwig van Beethoven: comparison of general biographies to the medical literature, Dongwon Lee, William Meredith, and Benjamin Lebwohl

Submissions from 2022

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[Review of] Sonatas for Pianoforte and Violin Ludwig van Beethoven (1770–1827), ed. Clive Brown, Erica Buurman

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Waves Break Aural Shores, Chris Luna-Mega and Michael Hernandez

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Time's Arrow, Christopher Luna-Mega

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Under the Sea Ice, Christopher Luna-Mega and Friction Quartet

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Water Studies, Christopher Luna-Mega and Friction Quartet

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Night Music–extended version, Christopher Luna-Mega and Splinter Reeds

Submissions from 2021

Ako Ay May Lobo (I Have a Balloon), Tiffany Unarce Barry

Filipino Folk Songs, Tiffany Unarce Barry

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Songs of the Sun: Filipino Folk Songs for the Musical Classroom, Tiffany Unarce Barry

Why We Imitate, Tiffany Unarce Barry

Beethoven and the Deutsche: Dance Types and Popular Melodies from the Ritterballett to the Late Quartets, Erica Buurman

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Beethoven Biography at the 250th Anniversary, Erica Buurman

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Book Review: Beethoven’s Politics As Reflected In His Music, Erica Buurman

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The Viennese Ballroom in the Age of Beethoven, Erica Buurman

Forestcover, Christopher Luna-Mega

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Diagnostic challenges, best sources, and future paths for diagnoses of Beethoven’s physical and mental illnesses, William Meredith

Submissions from 2020

Beethoven and the Emerging Popular Style, Erica Buurman

Dance music and social interaction in the Viennese imperial ballrooms, Erica Buurman

The Emerging Popular Viennese Style and Beethoven’s Late Works, Erica Buurman

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The Symphony in Vienna and Abroad around 1800, Erica Buurman

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Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas, Erica Buurman

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Sounds in Pilgrimage, Christopher Luna-Mega

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Sounds in Pilgrimage: Soundscapes in the Camino de Santiago de Compostela, Christopher Luna-Mega

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Splatter, Christopher Luna-Mega

Under the Sea Ice - electronic version, Christopher Luna-Mega

Forestcover, Christopher Luna-Mega, Danielle Wiebe-Burke, and Schuyler Slack

Submissions from 2019

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Lesson: Integration of the Schulwerk & STEAM, Tiffany Barry

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Schulwerk and STEAM: A Most Natural Integration, Tiffany Barry

Filipino Songs and Games, Tiffany Unarce Barry

Figaro in the Ballroom: Reassessing an Aspect of Mozart’s Early Reception in Vienna, Erica Buurman

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Forestcover, sonification of business as usual deforestation contributing to 4ºC warming, Christopher Luna-Mega

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Night music, Christopher Luna-Mega

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Piano étude No. 2 ‘tidal flow’, Christopher Luna-Mega

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Piano étude No. 2 ‘tidal flow’, Christopher Luna-Mega

Piano étude no. 2: tidal flow, Christopher Luna-Mega

PO43− | NH4+, Christopher Luna-Mega

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Through summersultryings, Christopher Luna-Mega

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Train [Angle 1], Christopher Luna-Mega

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Geysir: musical translation of geological noise, Christopher Luna-Mega and Jon Gomez

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Under the sea ice, Christopher Luna-Mega and Rivanna String Quartet

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Night music, Christopher Luna-Mega and Splinter Reeds

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Musical Aesthetics of the Natural World: Two Modern Compositional Approaches, Eli Stine and Christopher Luna-Mega

Submissions from 2018

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PBL in Music: Driving Questions Invoke Deeper Musical Learning, Tiffany Barry

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The Annual Balls of the Pensionsgesellschaft bildender Künstler, 1792-1832: Music in the Viennese Imperial Ballrooms from Haydn to Lanner, Erica Buurman

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The Battle Coda in Viennese Waltzes of the Napoleonic Era, Erica Buurman

The Viennese Ländler at the Turn of the Nineteenth Century: Evolving Representations of Austrian Folk Music and Dance, Erica Buurman

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Three Symphonies in One Year? Beethoven’s Sketches of 1812, Erica Buurman

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Dancing the “Waterloo Waltz”: Commemorations of the Hundred Days – Parallels in British Social Dance and Song, Erica Buurman and Oskar Cox Jensen

Sound model improvisations, Christopher Luna-Mega

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Splatter, Christopher Luna-Mega

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Waves Break Aural Shores, Christopher Luna-Mega

Waves Break Aural Shores, Christopher Luna-Mega and New Thread Quartet

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La torre de Chitor, Christopher Luna-Mega and Gianni Trovalusci

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Technosonics XIX Music Festival, WAI, EcoSono, and Christopher Luna-Mega

Submissions from 2017

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Playing With PBL: Confessions of an Orff Music Teacher, Tiffany Barry

National and Cosmopolitan Repertoires in London’s Social Dance Culture in the Early Nineteenth Century, Erica Buurman

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La torre de Chitor, Christopher Luna-Mega

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On the harmony of air, Christopher Luna-Mega

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The arrow of time, Christopher Luna-Mega

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Geysir, Christopher Luna-Mega and EcoSono Ensemble

Splatter, Christopher Luna-Mega, Roscoe Mitchell, and BBC Scottish Symphony Orchestra

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Splatter, Christopher Luna-Mega, Roscoe Mitchell, and Orchestra del Teatro Comunale di Bologna

Diadrone, Christopher Luna-Mega and Mobile Interactive Laptop Ensemble

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La torre de Chitor, Christopher Luna-Mega, Byung-Chul Oh, and Hyang-sook Song

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Water Study No. 2, Christopher Luna-Mega and The Luna Ensemble

Faculty Publications from 2015

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Birds of a Feather (Les Oiseaux de Même Plumage): Dynamic Soundscapes using Real-time Manipulation of Locally Relevant Birdsongs, William Walker and Brian Belet

Faculty Publications from 2010

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System Of Shadows, an Interactive Performance Environment for Trumpet/Flugelhorn and Kyma, Brian Belet and Stephen Ruppenthal

Faculty Publications from 2008

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Theoretical and Formal Continuity in James Tenney's Music, Brian Belet

Faculty Publications from 2003

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Compositional and Programming Issues Within Lyra, a Fully Interactive Performance Environment For Violin and Kyma System, Brian Belet

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Live Performance Interaction for Humans and Machines in the Early Twenty-first Century: One Composer's Aesthetics for Composition and Performance Practice, Brian Belet

Faculty Publications from 1996

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Applying lmprovisationBuilder to Interactive Composition with MIDI Piano, William Walker and Brian Belet