Document Type
Article
Publication Date
December 2003
Publication Title
Organised Sound
Volume
8
Issue Number
3
First Page
305
Last Page
312
DOI
10.1017/S1355771803000281
Disciplines
Music
Recommended Citation
Brian Belet. "Live Performance Interaction for Humans and Machines in the Early Twenty-first Century: One Composer's Aesthetics for Composition and Performance Practice" Organised Sound (2003): 305-312. https://doi.org/10.1017/S1355771803000281
Comments
This is an Author's Accepted Manuscript of an article whose final and definitive form, the Version of Record, has been published in Organised Sound, 2003. Find the published version of this article at http://dx.doi.org/10.1017/S1355771803000281.