January 10 - March 4, 2017
Art and Art History
CULT Aimee Friberg Exhibition
San Francisco, CA
Holberton’s work explores the way technology reshapes the relationship between humans and our physical world. As the title Still Life suggests, this exhibition utilizes material and process to transgress the boundary between stillness and life. Unexpected parallels emerge between the organic and constructed such as value and waste, self and other, cognition and physiology, and real and representational. The cool façade provides a smokescreen for strange pairings and the subversive use of manufacturing as medium. Utilizing materials that run the gamut from gold dust and mosquitoes, to psychic readings and mannequins salvaged from the American Apparel bankruptcy liquidation, these objects are not simply things in themselves. Rather, they carry a coded memory of their personal, material, and cultural relations. The works weave together to form a surreal narrative documenting the artist’s attempts to make sense of our humanity within massive systems that can only be accessed through a technological lens.
Rhonda Holberton. "Still Life" CULT Aimee Friberg Exhibition (2017).