Abstract
This article presents a discussion of the broadening definitions of performer and performance and the ways in which technology contributes to that flexibility through this intermix of the real world and its interaction with virtual reality. The author then details how the nature of this relationship not only shifts the role of performer but redefines performance as both real and virtual. She argues how new media in the age of technology has opened the doors for its visual, aural and textual information to both mimic and record reality.
Preservation Process
Archived from http://switch.sjsu.edu/archive/nextswitch/switch_engine/front/front.php%3Fartc=245.html. Documentation of the preservation processes used for this collection is available at https://github.com/NickSzydlowski/switch. Metadata for this item was created and augmented by Krystal Ruiz, Spring 2022, ART 104.
Recommended Citation
Malone, Sheila A.
(2000)
"The New Performer,"
SWITCH: Vol. 13:
No.
1, Article 6.
Available at:
https://scholarworks.sjsu.edu/switch/vol13/iss1/6