Clay Bodies: Crafting the Future with 3D Printing
Publication Date
11-2-2017
Document Type
Article
Publication Title
Architectural Design
Volume
87
Issue
6
DOI
10.1002/ad.2243
First Page
92
Last Page
97
Abstract
People have been using clay to make objects and shelters since time immemorial; but could it also be a key material of the future? San Francisco-based xyqmake-tank’ Emerging Objects has been experimenting with the use of clay in 3D printing, with sophisticated codes producing woven and textured forms and mixing different clays together. The studio's cofounders Ronald Rael and Virginia San Fratello here present these projects, as well as offering a potted history of clay's use and nature. Given its re-resistance and thermal qualities, the benefits of eventually applying such techniques on an architectural scale are clear.
Keywords
Emerging Objects (Ronald Rael and Virginia San Fratello), GCODE.Clay, Venus of Dolní Věstonice, Palaeolithic era, Brno, Czech Republic, Seed Stitch Wall, G-code, Donald Trump, United States, Mexico, Bad Ombrés, Black Mountain, Cassius Basaltic clay, Polar Ice porcelain, Matauri Bay, New Zealand, California, Smithsonian magazine, ‘Sophisticated Buildings Will Be Made Of Mud’
Department
Design
Recommended Citation
Ronald Rael and Virginia San Fratello. "Clay Bodies: Crafting the Future with 3D Printing" Architectural Design (2017): 92-97. https://doi.org/10.1002/ad.2243