Publication Date

4-19-2022

Document Type

Article

Publication Title

Urban Geography

Volume

43

Issue

6

DOI

10.1080/02723638.2022.2044660

First Page

886

Last Page

894

Abstract

Videos of what seems like enforced and orchestrated solidarity, performed by celebrities from the film industry in Kolkata, each scene blending into another, each upper-class urban home-space resembling the other, each envisioning a brighter future, rendering the same song in multiple voices, with metaphors of cities smiling again, circulated through social media are problematic in the erasures of particularities, “of the presence of the poor, of crime, of dirt, of work”. While the nature of public spaces and performances of the public gathering is evolving amidst a pandemic, this paper, probing primarily into the state-sponsored strategic public performances in COVID-affected Kolkata, argues that the simulation and performance of state-envisioned “joy” by a postcolonial neoliberal city to mimic the imagined global city, to embody “the ageographia, the surveillance and control, the simulation without end” has frightfully familiar echoes of coloniality and hegemonic control.

Keywords

Ageographia, state choreography, simulation, colonial mimicry, neoliberal Kolkata

Creative Commons License

Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

Department

Film and Theatre

Download

Share

COinS