Publication Date

4-28-2022

Document Type

Article

Publication Title

Radical Teacher

Volume

122

DOI

10.5195/rt.2022.821

First Page

74

Last Page

83

Abstract

This essay examines the expectations placed on black faculty to act as conduits of authentic blackness and black knowing even as they are undermined and undervalued in the classroom and other institutional settings. Paying special attention to the way that racial performance, engaged learning, and the role of the black instructor converge in the black studies classroom, I offer the black/weird as a framework (departure/positioning) from which students can engage in black/weird/play, a remedy that interrupts students’ desire for a particular hegemonic racial performance from black faculty while stimulating critical collective inquiry about black history, experience, culture, and the self. As black/weird/play engages possibility, pleasure, and play while taking cues from black nerd and black popular cultures, students learn to grapple with concepts, structures, subjecthood, and everything else, from the mundane to the fantastic, as they building knowledge and connections alongside and with black faculty who must constantly maneuver the already contested grounds of teaching while black.

Keywords

Racial performativity, Black Studies, blackness, weird play, teaching style

Comments

This is the Version of Record and can also be read online here.

Creative Commons License

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.

Department

African-American Studies

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