Theses/Dissertations from 2024
Theses/Dissertations from 2022
Buried Treasure in San Francisco’s Golden Gate Park: Changing Tastes in the Twentieth Century as Seen Through the Music of the Golden Gate Park Concert Band, Nathaniel L. Pergamit
Theses/Dissertations from 2019
Creating a Cultural Context for Dong and Miao Folk Music Using an Orff-Inspired Methodology, Ke Guo
Theses/Dissertations from 2018
Change and Transformation: The Harp as a Symbol of Liminality in Tchaikovsky’s The Nutcracker (1892), Jeanna Kim
Theses/Dissertations from 2015
Reviving Mesopotamia: Genocide and the Preservation of Cultural Heritage in the Nationalist Music of William Daniel (1903-1988), Rashel Pakbaz
Theses/Dissertations from 2014
The Madman: For Mezzo-Soprano and Pierrot Ensemble, Harlan Matthew Otter
Theses/Dissertations from 2012
A Candle in the Dark - Concerto for Clarinet and Wind Ensemble, Jason Gary McChristian
Theses/Dissertations from 2010
Ask Her To Dance, John Casados
An Analysis of Stacy Garrop's Sonnet Settings for Treble Choir and Piano, Kathryn Alexis Feetham
An Analysis of Three Choral Transcriptions for Winds by Eric Whitacre, Daniel James Grassi
Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology, Jeffrey Hanson
Undergraduate Music Student Stress and Burnout, Helen Jane Orzel
String Quartet No. 1, Jeffrey Scott Perry
Theses/Dissertations from 2009
Concerto for the Young Adventurer., Mark Forrest DeSimone
Music in the lives of two children with autism : a case study, Elizabeth Ron Fang
Theses/Dissertations from 2007
Math+Music Program : teacher perception of its effect on student growth, Mary Meeks Nguyen
Theses/Dissertations from 2006
Music technology in education, David Trustman
Theses/Dissertations from 2005
The music of San Francisco and Berkeley at the time of the 1906 earthquake, Ruth Evelyn Miller
Theses/Dissertations from 2004
Gospel piano improvisation : from ragtime roots to contemporary church piano, Janice Mae Armstrong Carlton
Train of thought, Annick Danielle Crawford
Ziem, Hung-ting Tsoi
Theses/Dissertations from 2003
The sacred harp in a choral setting, Teresa P. Baker
Teaching songs of Ghana to grades 3 through 5 in California elementary schools, Christine Burke
Textual integrity and foreground deceptions : Chopin's Prelude in A-Flat, 28/17, Paul Martin Ellison
"Whom the gods would destroy" : portraits of mental illness, Denis Ragan Floyd
Making music at Mills College : summer sessions, 1929-1957, Ann Marie Newman
Toward a more comprehensive textbook on choral jazz arranging, James Edward Hamilton Regin
Intergrating [sic] Thai songs into American elementary school music education, Moncharee Sanmaneechai
Teaching the preludes of the well-tempered clavier, Kerstin Barger Stone
Vocal rehabilitation, Robin McKee Williams
Theses/Dissertations from 2002
Twelve voices, Mickey Helms
Still life with diary : for orchestra, David Larstein
A Historical analysis of three works for trebles by Benjamin Britten, Kristin Ann Pfeifer
Musical and nonmusical influences in selected vocal works by Alexander Zemlinsky, Barbara Detrick Swedlow
Theses/Dissertations from 2000
Pedagogies for scat singing, Diane Pauline Bock
The sheer need to sing : the healing effect of jazz in Sheila Jordon's life, Vicki-Lyn Burns
Choral settings of Psalm 150 of the twentieth century : an annotated list, John Koza
Theses/Dissertations from 1999
Del Tridici's Vintage Alice : an analysis, Laura Christine Amos
Music perception and cognition as a basis for an ear-training approach, Zila Shwartz Medini
Theses/Dissertations from 1998
Exposures, Barbara M. Christmann
Beethoven : a pioneer in the use of the piano pedals, Inna Gendler
Chain for piano, Long Dang Ho
Ewe children's music from Ghana, West Africa, in the classroom, Idit Kubitsky
Chopin's twenty-four preludes, opus 28 : historical background and performance considerations, Yi-Sy-Tieh Kuo
Czerny, Leschetizky, Vengerova : a genealogical study of piano pedagogy technique, Darrell G. Leffler
Gustav Mahler's second symphony : a choral conductor's investigation of "Aufersteh'n", Natsia Sexton
We're all mad here, Ryan H. Torchia
Theses/Dissertations from 1997
Reconditioning, Frank F. Gelat
A historical study of Beethoven's Choral fantasia opus 80, John C. Sutton
Theses/Dissertations from 1996
Single string scale technique and the classic Guitar, Kenneth J. Andrade
Mozart's Flute concerto K. 313, Pi-Ling Chang
Madi Bacon : thoughts on conducting, a video documentary, Debra K. Golata
Sininen Hetki for chamber ensemble, Mark Grey
Randall Thompson's Frostiana : a choral conductor's handbook, Susan M. McArthur
Recuerdos de la Alhambra [electronic resource] : thesis project, Heidi Virginie Mitchem
A history of opera in San Jose, California, Glenda Pearl Moore
Theses/Dissertations from 1995
A comparison of nine selected modern editions of the Schubert Mass in G, Lawrence E. Albright
Intuition and fretboard intimacy : approaching improvisation on the guitar, Don A. Balistreri
Beethoven's five 'cello sonatas, Judith Lee Crawford
Music for electric guitar and string quartet in three movements, G. Rusty Davidson
The art of North Indian tabla drumming : adaptations to the African-American drumset tradition, Gregory Michael Diethrich
A comparative study of five piano works by Bach, Beethoven, and Liszt, Isidore B. Gluckman
Music in the Maranatha Pentecostal Church : observations of choir rehearsals and worship services, Laura Ley Va
Three movements for violin and sampled sounds, Jason Marsh
Eclectricity : amplified string quartet, James M. Sealy
A comparative study between selected sacred double-choir motets of Hans Leo Hassler and Giovanni Gabrieli, Mark David Swope
Ravel's: Le Tombeau de Couperin, Yali Lydia Tai
An oral history of electro-acoustic music of the Czech and Slovak republics, Libor Zajicek
The Siguiriyas song form in flamenco guitar : a historical and comparative study, Benett Thomas Zussman
Theses/Dissertations from 1994
The collateral relationship between sound effects and music in selected media, Patricia Lynn Eastman
A historical study of Joseph Haydn's Missa brevis Sancti Joannis de Deo HOB. XXII:7, Jill Ann Jones
Sinfonia für Mey-Ling, Van A. Krueger
Four-mallet salsa : exercises and etudes for the vibraphone, Robert H. Lautz
Achieving choral blend through vowel uniformity, Granville Murl, Jr Oldham
Butterfly's ball, Thomas William Povse
Five old verses, Jacqueline R. (Jacqueline Rachel) Sackman
Mozart's Missa Brevis, in D major, K. 194 : meaning revealed through historical, biographical and analytic perspectives, Elisabeth B. Southorn
Theses/Dissertations from 1993
Preludes, David (David E.) Clay
Six compositions utilizing extended harmonies and improvisational techniques, Stephen Foglia
Typers, Barbara Lopez
The International Computer Music Association 1992 compact disc and HyperCard stack, Edward Russell Tincher
Amy Beach : her life, times and music, Laurel Keddie Verissimo
Theses/Dissertations from 1992
Modern guitar music, Leon M. Brown
Pedal technique in La Cathedrale engloutie by Claude Debussy, Ya-Hsuan Chiang
Choral music accompanied by woodwinds: an annotated list, Jan C. DeShera
Cadence to a G sharp, Mark A. Gaetano
We are Blessed : a new Christmas cantata, Holly M. Lasky
Isotropea, Michael Strunk
Theses/Dissertations from 1991
MIDI control Language (MCL) : reference manual, Marshall Earl Edwards
Choral anthems in english: a representative survey for the church musician, Mary Anne James
An historical and analytical study of Beethoven's fortepiano sonata in A Major, Opus 101 : a performance practice perspective, Marta Schermerhorn
Sonata for guitar, Kenneth R. Schroeder
ALIAS 610, James David Stewart
Theses/Dissertations from 1990
An analysis of the solos in George Frideric Handel's Chandos Anthems for the purpose of revoicing, Brenda Joyce Davidson
The influence of Josephinism upon the omission of text in Schubert's Mass in G, Louis Michael De La Rosa
A comparative analysis of styles and performance practices for three jazz bassists in the composition "Stella By Starlight", Timothy Andrew Hauff
Ornamentation in Vivaldi's Gloria in D, Robert Hoffman
Collected pieces, Jeremy Leber
A blues-based improvisation method for beginning instrumentalists, Peter A. Spitzer
Theses/Dissertations from 1989
Die Sieben Worte by Heinrich Schuetz : analysis and performance suggestions, Michael L. Busch
