Live Performance Interaction for Humans and Machines in the Early Twenty-first Century: One Composer's Aesthetics for Composition and Performance Practice

Authors

Brian Belet, San Jose State UniversityFollow

Document Type

Article

Publication Date

December 2003

Publication Title

Organised Sound

Volume

8

Issue Number

3

First Page

305

Last Page

312

DOI

10.1017/S1355771803000281

Disciplines

Music

Comments

This is an Author's Accepted Manuscript of an article whose final and definitive form, the Version of Record, has been published in Organised Sound, 2003. Find the published version of this article at http://dx.doi.org/10.1017/S1355771803000281.

Recommended Citation

Brian Belet. "Live Performance Interaction for Humans and Machines in the Early Twenty-first Century: One Composer's Aesthetics for Composition and Performance Practice" Organised Sound (2003): 305-312. https://doi.org/10.1017/S1355771803000281