Submissions from 2022
The Beekeeper of Aleppo: a transnational collaboration, Nesrin Alrefaai and Matthew Spangler
Collective Identities, Black Girlhood and 60s Vocal Groups, Apryl Berney
In-Between Worlds: Performing [as] Bauls in an Age of Extremism, Sukanya Chakrabarti
Kalikata to Calcutta to Kolkata to London: In Between a Colonial Past and a "Glocal" Present, Sukanya Chakrabarti
[Review of] Indian Drama in English: The Beginnings, by Ananda Lal, Sukanya Chakrabarti
Simulating the “city of joy”: state choreography and the re-appropriation of public spaces in Kolkata, Sukanya Chakrabarti
Unearthed, Sukanya Chakrabarti, Amit Patel, and Ishika Seth
A Nice Indian Boy, Sukanya Chakrabarti and Madhuri Shekar
The Conscious Communicator: The Fine Art of Not Saying Stupid Sh*t, Janet M. Stovall and Kim Clark
Submissions from 2021
Coded, Kirsten Brandt
“Go back to India if you hate my people so much”: Consequences of Troubling the “Canon” in American Academia, Sukanya Chakrabarti
[Review of] Tagore and Nationalism, by K. L. Tuteja and Kaustav Chakraborty, Sukanya Chakrabarti
Public Obscenities, Sukanya Chakrabarti and Shayok Misha Chowdhury
7000 Miles, Amy Glazer
When a Handshake Meant Something: The Rise of Entertainment Law in Post-Paramount Hollywood, Peter Labuza
One small action for the larger movement, Hojeong Lee
Relentless villains or fervent netizens?: The alt-right community in Korea, Ilbe, Hojeong Lee
To have and to hold: The possessive spectator, the spinster narrative, and Katharine Hepburn in David Lean's Summertime (1955), Alison L. McKee
Submissions from 2020
The Threepenny Opera by Bertolt Brecht and Kurt Weill, Kirsten Brandt
A Doll's House by Henrik Ibsen, Kirsten Brandt and Anne-Charlotte Hanes Harvey
Mementos: Words in the Wind, Kirsten Brandt and Sol Lazo
[Review of] Mahabarata, adapted by Geetha Reddy, Sukanya Chakrabarti
No Make-Up, Sukanya Chakrabarti and Ranjita Chakravarty
Dealing Dreams, Sukanya Chakrabarti and Jeffrey Lo
The Surrogate, Amy Glazer
A Doll's House by Henrik Ibsen, Anne-Charlotte Hanes Harvey and Kirsten Brandt
Submissions from 2019
Breaking the Code by Hugh Whitemore, Kirsten Brandt
The Comedy of Errors by William Shakespeare, Kirsten Brandt
The Frankenstein Project, Kirsten Brandt
Urinetown: the Musical by Greg Kotis and Mark Hollman, Kirsten Brandt
Launching Ships, Kirsten Brandt and Janet Hayatshahi
Launching Ships, Janet Hayatshahi and Kirsten Brandt
Submissions from 2018
Richard III by William Shakespeare, Kirsten Brandt
Twelfth Night by William Shakespeare, Kirsten Brandt
Launching Ships, Kirsten Brandt and Janet Hayatshahi
Raabta, Sukanya Chakrabarti and Ranjita Chakravarty
The Parting, Sukanya Chakrabarti and Salil Singh
Divine Conversations, Sukanya Chakrabarti and Ushanjali Dance
Launching Ships, Janet Hayatshahi and Kirsten Brandt
Submissions from 2017
A Midsummer Night’s Dream by William Shakespeare, Kirsten Brandt
Picasso at the Lapin Agile by Steve Martin, Kirsten Brandt
Stupid Fucking Bird by Aaron Posner, Kirsten Brandt
The Book Club Play by Karen Zacarías, Kirsten Brandt
The Open Door, Kirsten Brandt
The Snow Queen, Kirsten Brandt, Rick Lombardo, and Haddon Kime
The Snow Queen, TYA Version, Kirsten Brandt, Rick Lombardo, and Haddon Kime
Rabindranath Tagore and the Bauls: Representation and Performance of Bauls as Socio-political Actors, Sukanya Chakrabarti
[Review of] So Near, Yet So Far: Badal Sircar’s Third Theatre, by Manujendra Kundu, Sukanya Chakrabarti
The Plays of Kalidasa: Treading the Line between Constraint and Freedom, Sukanya Chakrabarti
Books from 2016
Kepler's Dream (Film), Amy Glazer
Submissions from 2013
The Snow Queen, Kirsten Brandt, Rick Lombardo, and Haddon Kime
Submissions from 2012
Marked Woman (1937) and the Dialectics of Art Deco in the Classical Gangster Genre, Drew Todd
Submissions from 1992
She Had Eyes a Man Could Drown In: Narrative, Desire, and the Female Gaze in The French Lieutenant’s Woman, Alison McKee
Submissions from 1987
Gamma and Dynamic Range Needs for an HDTV Electronic Cinematography System, Harry Mathias
Submissions from 1985
A Proven Method of Establishing Exposure Indexes for Video Cameras, Harry Mathias
Submissions from 1984
Point of View: Image Quality from a Non-Engineering Viewpoint, Harry Mathias
