Submissions from 2001
Cavemen in Eden? Bernard Shaw and Mark Twain Offer Radical Revisions of Genesis, Julie A. Sparks
Submissions from 1999
The Madness of Writing: Lady Caroline Lamb's Byronic Identity, Paul Douglass
Submissions from 1998
An Overlooked Source for Eliza? W. E. Henley’s London Types, Julie A. Sparks
Submissions from 1997
Bionic Eye: The Resources and Limits of the Cinematic Apparatus, Paul Douglass
Reading the Wreckage: De-Encrypting Eliot's Aesthetics of Empire, Paul Douglass
Thirteen, Alan Soldofsky
Shaw for the Utopians, Capek for the Anti-Utopians, Julie A. Sparks
Submissions from 1994
First Day, Alan Soldofsky
Starry Night, Alan Soldofsky
Submissions from 1993
Inventory, Alan Soldofsky
Poplar Catkins, Alan Soldofsky
Submissions from 1992
Chin Music, Alan Soldofsky
Submissions from 1991
Loose Canon on the Deck, Paul Douglass
Second Growth, Alan Soldofsky
Submissions from 1990
Ghazal, Alan Soldofsky
Submissions from 1989
Modernism and Science: The Case of Pound's ABC of Reading, Paul Douglass
Submissions from 1988
Cradle of the Copperheads: Education and the Career of Jesse Stuart, Paul Douglass
Submissions from 1987
Cooper's Fathers and Daughters: The Dialectic of Paternity, Susan Shillinglaw
Pictorial Space as Identity in The Deerslayer, Susan Shillinglaw
Submissions from 1986
Hebrew Melodies as Songs: Why We Need a New Edition, Paul Douglass
Submissions from 1983
Eliot's Cats: Serious Play Behind the Playful Seriousness, Paul Douglass
Submissions from 1981
Elegy, Alan Soldofsky
John Logan: A Retrospective, Alan Soldofsky
Submissions from 1979
Language and Narcissism, Alan Soldofsky
Towards a Poetics of Narcissism, Alan Soldofsky
Workshop Poetry, Alan Soldofsky
